“Little Shop of Horrors is a musical filled with juxtapositions of light and dark, sincerity and satire. And it all works. I found myself deeply entranced by this production and I felt the audience around me did too. I highly recommend seeing this show. I also recommend you start keeping a closer eye on your plants. You never know what mischief they get up to when you’re not looking.”

“The cast, all MBT veterans, is nothing short of spectacular, with great timing and really strong characterizations, all vividly drawn in attitude and movement under the guidance of director Travis Walter.”

“This has to be one of director Travis Walter’s finest works at MBT. The deceptively deliberate pacing and low-key performances in the opening scenes lead to a graceful build and a rewarding conclusion. The cozy set by Jenn Price Fick and lighting by Kerro Knox 3 evoke a happy life by the seaside. A cyclorama serves as the ocean sky, with ever-changing clouds and light, a beautiful effect.

“Ladies in Lavender” is utterly romantic yet bittersweet, and makes for a wonderful experience.”

““Our familiarity with the classic tale of A Christmas Carol during this time of year may make many us overlook seeing the beloved play and to do something else. Do not make that mistake. To overlook this production would be a huge oversight, as this is an outstanding production of A Christmas Carol at Meadow Brook Theatre, which brings to life the words of Charles Dickens in a magical way that is sure to create wonderful holiday memories for all who attend!” ”

“A recent rousing performance of “Arsenic and Old Lace ” at Meadow Brook Theatre confirms that this 1941 farcical story about two sweet old ladies who poison elderly gentlemen as an act of charity can still slay an audience.”

“Meadow Brook is hardly a stranger to plays that call for actors to juggle roles. The company performed similar magic in previous seasons with “Around the World in 80 Days” and “The 39 Steps.” Ludwig, who has been selective in choosing venues for early productions of his new play, should be more than satisfied with this well-oiled staging.”

“‘Things My Mother Taught Me,’ written by Katherine DiSavino and now playing at Meadow Brook Theatre, may be the most love-affirming comedy you’re likely to see this season. And that makes it right for just about anyone looking to enjoy and evening of laughs that aren’t hurtful, political, off-color, or just plain dark.”

“‘Once on This Island’ is among the most satisfying productions I’ve seen this season. At its conclusion, it leaves theatergoers in state like that of the little girl they meet at the show’s beginning: educated, entertained and full of hope.”

“With “Falling” and last season’s “Next to Normal,” Meadow Brook Theatre and director Travis Walter are confronting important works about social issues that are far different from the audience-friendly fare the theater usually thrives on. Though this play isn’t easy to watch, it may be the most life-changing production you’ll see this year.”

“‘80 Days’ becomes a feast for the eyes even before the first actor takes to the stage. Director Travis W. Walter loves to fill up Meadow Brook’s expansive stage with striking sets, and Jen Price Fick complies with a design worthy of a Broadway show. It’s a two-tiered affair with an industrial look that’s dubbed steampunk by sci-fi enthusiasts and characterized by massive gears and well-patinaed pipe work. Slides and videos projected as if through a telescope are used to assist in establishing place and time. ”